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| I've just started at order ventolin hjr The title of this collection (and also of her first story collection), The Love Object, points to the unabashed way the stories, almost always told from a female point of view, talk about men as objects of desire, luxuriating in male flesh, male looks, male clothing. In a way it blanks out the recipients of these fervid womenโs desire. The love object is not always a man; it might be a mother, a son, it might be Jesus; sometimes it is another woman: one well-known story, โSister Imeldaโ, is the bittersweet tale of a girlโs crush on a young nun at her convent school. It ends with an observation that serves for much of the collection, in which the inner life is so richly told that the outer world seems subservient to it: โIn our deepest moments we say the most inadequate things.โ OโBrienโs endings tend to have a dying fall. The lasting cadence is failure.
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